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Ever After (known in promotional material as Ever After: A Cinderella Story) is a 1998 American romantic drama film inspired by the fairy tale Cinderella. It was directed by Andy Tennant and stars Drew Barrymore, Anjelica Huston, Dougray Scott, and Jeanne Moreau. The screenplay is written by Tennant, Susannah Grant, and Rick Parks. The original music score is composed by George Fenton. The film's closing theme song, "Put Your Arms Around Me", is performed by the rock band Texas.

The usual pantomime and comic/supernatural elements of the Cinderella tale are removed and the story is instead treated as historical fiction, set in Renaissance-era France. It is often seen as a modern, post-feminist interpretation of the Cinderella story.


In 19th century France, the Grande Dame summons the Brothers Grimm to discuss their interpretation of “Cinderella”, showing them a glass slipper and telling the story of Danielle de Barbarac: In 1502 Renaissance-era France, eight-year-old Danielle is the daughter of Auguste de Barbarac, a wealthy widower. He brings home his new wife, the Baroness Rodmilla de Ghent, and her daughters Marguerite and Jacqueline, and gives Danielle a copy of Sir Thomas More's Utopia. As he departs for business two weeks later (a fortnight) Auguste suffers a fatal heart attack just as he is approaching the gate, and delivers his dying declaration of love to Danielle, sparking Rodmilla's jealousy.

Ten years later, the de Barbarac manor is in debt under Rodmilla's negligence and expensive lifestyle. Danielle is forced to work as her step-family’s servant, mistreated by Rodmilla and Marguerite. She stops a man stealing her father's horse, only to realize he is Prince Henry of France, who gives her 20 gold francs. Fleeing a marriage arranged by his parents, King Francis and Queen Marie, to Princess Gabriella of Spain, Henry is caught after stopping to help Leonardo da Vinci recover the Mona Lisa from gypsy bandits and returns home. Disguising herself as a noblewoman, Danielle takes the gold to buy back her family servant Maurice, whom Rodmilla sold into slavery. Henry witnesses the argument between Danielle and the slave cart driver and intervenes, although not recognising Danielle. Intrigued by her, Henry orders Maurice's release and begs for her name; Danielle lies and gives the name of her late mother, Comtesse Nicole de Lancret. King Francis announces a masquerade ball, where Henry must choose a bride by midnight or wed Gabriella, leading Rodmilla to scheme to marry Marguerite to Henry.

Danielle’s friend Gustave tells Henry where the "Comtesse de Lancret" lives, forcing her to run home and change clothes in time to accompany Henry to a Franciscan monastery’s library. They are accosted by the gypsies, whom Danielle impresses into inviting her and Henry to their camp, where she and the prince share their first kiss. The next day, Danielle defies Rodmilla and Marguerite, who steal her late mother's dress and shoes for the ball, leading Danielle to attack her stepsister. Marguerite threatens to throw Auguste's book into the fire, forcing Danielle to surrender her mother’s glass slippers, but burns the book anyway and Rodmilla has Danielle whipped. Tending to her wounds, Jacqueline bonds with Danielle. Discovering that Danielle is the mysterious courtier Henry is pursuing, Rodmilla lies to Queen Marie that the “Comtesse” is engaged.

Danielle meets with Henry to confess her identity, but he interrupts that she has given his life new purpose. Unable to tell him the truth, Danielle runs away. Refusing to tell Rodmilla and Marguerite where she has hidden the gown and shoes, she is locked in the pantry. Gustave finds Leonardo, who frees Danielle and makes her a pair of wings to wear with her mother's dress and slippers to the ball. There, Danielle tries again to tell Henry the truth, but Rodmilla exposes her fraud and Henry rejects her. Humiliated, Danielle runs away, leaving a slipper behind. Henry resigns himself to marrying Gabriella, but realizes she also loves someone else, and calls off the wedding.

He searches for Danielle, whom Rodmilla has sold to the lecherous Pierre le Pieu. Pierre attempts to force himself on Danielle, but frees her after she threatens him with his own swords. Henry finds her, apologizing for his behavior, and proposes to her by placing the slipper on her foot. Rodmilla and her daughters are summoned by King Francis, who accuses her of lying to Queen Marie about Danielle. The queen strips Rodmilla of her title and threatens to banish her and Marguerite to the Americas. Danielle enters, now a princess, and requests a more fitting punishment: Rodmilla and Marguerite are sentenced to work as servants in the palace laundry. Jacqueline begins a romance with Laurent, the captain of the guards whom she met at the ball, and Leonardo gives the royal newlyweds a portrait of Danielle.

The Grande Dame explains that Danielle was her great-great-grandmother, whose portrait hung in the university built by Henry until the outbreak of the French Revolution. She declares that while Henry and Danielle did live happily ever after, the point is that they lived.


  • Drew Barrymore as Danielle de Barbarac
  • Dougray Scott as Crown Prince Henry
  • Anjelica Huston as Baroness Rodmilla de Ghent
  • Megan Dodds as Marguerite de Ghent
  • Melanie Lynskey as Jacqueline de Ghent
  • Patrick Godfrey as Leonardo da Vinci
  • Lee Ingleby as Gustave
  • Richard O'Brien as Monsieur Pierre Le Pieu
  • Timothy West as King Francis
  • Judy Parfitt as Queen Marie
  • Jeroen Krabbé as Auguste de Barbarac
  • Jeanne Moreau as Grande Dame
  • Toby Jones as Royal Page


Locations and sets

The castle shown in the film is the Château de Hautefort in the Dordogne region of France. Other featured châteaux are de Fénelon, de Losse, de Lanquais, de Beynac as well as the city of Sarlat-la-Canéda. The painting of Danielle is based on Leonardo Da Vinci's Head of a Woman (La Scapigliata).


Rotten Tomatoes reports that 91% of critics gave the film a positive review based on 65 reviews, with an average score of 7.56/10.[1] The critical consensus states: "Ever After is a sweet, frothy twist on the ancient fable, led by a solid turn from star Barrymore."[1] Metacritic calculated a favorable score of 66 based on 22 reviews.[2]

Lisa Schwarzbaum from Entertainment Weekly gave the film a B-, saying: "Against many odds, Ever After comes up with a good one. This novel variation is still set in the once-upon-a-time 16th century, but it features an active, 1990s-style heroine—she argues about economic theory and civil rights with her royal suitor—rather than a passive, exploited hearth sweeper who warbles 'A Dream Is a Wish Your Heart Makes'."[3] She also praised Anjelica Huston's performance as a cruel stepmother: "Huston does a lot of eye narrowing and eyebrow raising while toddling around in an extraordinary selection of extreme headgear, accompanied by her two less-than-self-actualized daughters—the snooty, social-climbing, nasty Marguerite, and the dim, lumpy, secretly nice Jacqueline. "Nothing is final until you're dead", Mama instructs her girls at the dinner table, "and even then I'm sure God negotiates."[3]

Chicago Sun-Times film critic, Roger Ebert, praises the film with three out of four stars and writes, "The movie […] is one of surprises, not least that the old tale still has life and passion in it. I went to the screening expecting some sort of soppy children's picture and found myself in a costume romance with some of the same energy and zest as The Mask of Zorro. And I was reminded again that Drew Barrymore can hold the screen and involve us in her characters. […] Here, as the little cinder girl, she is able to at last put aside her bedraggled losers and flower as a fresh young beauty, and she brings poignancy and fire to the role."[4]

The film is recognized by American Film Institute in these lists:

  • 2002: AFI's 100 Years...100 Passions – Nominated[5]


  1. 1.0 1.1 "Ever After: A Cinderella Story Movie Reviews, Pictures". Rotten Tomatoes. Flixster.
  2. "Ever After: A Cinderella Story reviews at Metacritic.com". Metacritic. CBS Interactive.
  3. 3.0 3.1 Schwarzbaum, Lisa (August 10, 1998). "Ever After (1998)". Entertainment Weekly.
  4. Ebert, Roger (July 31, 1998). "Ever After BY ROGER EBERT". Chicago Sun-Times. Sun-Times Media Group.Template:Rating
  5. "AFI's 100 Years...100 Passions Nominees".